Have we all recovered from the loss of Alex Lambert or Lilly Scott?  Didn’t think so.  But while the “right” person doesn’t always win (sorry, Taylor Hicks, love ya, but … no), the Top 12 isn’t always the most talented dozen.  Without further ado.

It’s Rolling Stones night, and rock-and-roll purists of the world grow one step closer to throwing themselves collectively off a bridge.  Bring in Bruce as a mentor, and it’s all over.

“Big” Michael Lynche – “Miss You.”  Wow, I’d totally forgotten Mike had a baby.  Don’t like the chain wallet, dude.  I also don’t like this arrangement, but he sounds fine and swaggers with just the right amount of confidence. A little too much vibrato and falsetto for this song.  The meat of the song is totally ripped out, and it’s just a showcase for runs and glory notes.  But he’s probably fine, even though stuck early in the night.

Didi Benami – “Play With Fire.” Her family gives me the creeps.  Great voice, control of the dynamics, and great stage presence.  Unlike most of these fools, it looks as though she is truly feeling the mood of the song (though I don’t buy her as a dangerous type).  “Couple of pitch problems,” but she sticks the landing when it counts.  And unlike Big Mike, who sang, like none of his song, Didi sings like the entire song.  She’s talented and “commercial,” but what demographic is voting for her?  She’s not a “rocker” or a kid or a diva … she’s just … simply good.

Casey James – “It’s All Over Now.” Total pie-face in the interview.  So the deal with Casey is that he is a hotter Bo Bice.  Bo Bice, shockingly, came in second only to Carrie Underwood that year.  And Casey’s whole package (looks, guitar playing, hair, and yes … I said “package”) is better than just his voice on a platter.  That said, his voice is raw and pleasing to the ear, and I think he’s actually better than he thinks he is.  But I’ve yet to be blown away by any of his singing specifically.

Shut up, Randy.  Shut up, shut up, shut UP!

Lacey Brown – “Ruby Tuesday.” I can’t make up my mind on this one.  I appreciate how she “makes things her own.” Two weeks ago, she took one of my least favorite songs ever (“Kiss Me” by Sixpence) and tweaked it ever-so-slightly so that I liked it better.  She does the same thing here, double-timing the “still I’m gonna miss you” lyric (and changing the last note).  Her tone is pretty, part syrup, part gin, but she doesn’t seem to have as much control as she should, especially when in her lower register.  Last note was rough.  So obviously … she’s never gonna win, but she’s certainly better than I am.  Love her hair, confused by her outfit.  As one friend pointed out, it looks like she has Spanx peeking out from under her skirt.

(more…)

Advertisements